2016 National Book Award Finalist;
New York Times Book Review Best Books of 2016;
BuzzFeed Best Poetry Book of 2016;The Root Best Books of 2016 by Black Authors; One of The Undefeated‘s Freshest Books of 2016; A Quivering Pen Best Poetry Collection of 2016; A Malaprop’s Bookstore & Cafe Best Book of 2016
My primary mode of thinking hinges on unmasking what we perceive as normal—whiteness, maleness, heterosexuality, humanness, and so on—as deeply strange. Only through this unmasking can we begin to have ethical conversations about structural inequality in both creative and critical spaces. As a poet and educator, I prioritize the conversations that can happen at the intersection of race, class, ability, gender, sexuality and other axes of identification. I question the formation and impact of the normative, the naturalized, and the reified, how those categories shape my existence as a queer black woman. I am invested in the practice of radical empathy rooted not in its imposition on others but as a personal praxis. Reading and thinking, as bell hooks puts it, “against the grain” enables identification without sacrificing a critical examination of dominant American culture.
Striking. . . . Kelly is a descendant of Sylvia Plath by way of the wintry Louise Glück ― her poems are animated by roiling, mostly dark emotion, but they’re spare, composed and often quite short. . . . The fantastical creatures in Bestiary are almost all hybrids― mermaids, minotaurs, griffins ― as opposed to mere monsters, and their in-betweenness calls attention equally to the danger of dissolution and the possibility of unity. Kelly is drawn to both outcomes, and her uncertainty gives her writing its peculiar magnetism.―The New York Times Book Review
[An] astounding debut. . . . The poems employ language that sinks its teeth in at vulnerable moments. . . . Kelly’s creatures howl and whimper as she imparts emotional truths.―Publishers Weekly, starred review
“Magic possesses this book, the kind that transforms objects and ideas and the knowledge we thought we knew, so thoroughly that Kelly seems to speak a new language.”―Ploughshares
“Spend only a minute or two in Donika Kelly’s poetry, and you’ll almost begin to feel your body moving along with the rhythm of her writing. Her lines pound, and declare, and expose and challenge ― and often explore the gendered experiences of our world.”―Bustle
Donika Kelly’s debut collection, Bestiary (Graywolf Press 2016), was selected by Nikky Finney for the 2015 Cave Canem Poetry Prize, and long listed for the National Book Award. She holds an MFA in Writing from the Michener Center for Writers at the University of Texas at Austin, and in 2013, she received a Ph.D. in English from Vanderbilt University, where she specialized in American literature and film studies. Donika is a Cave Canem graduate fellow and a June Fellow of the Bucknell Seminar for Younger Poets. Her poems have appeared or are forthcoming in various journals including Tin House, Indiana Review, and Virginia Quarterly Review. Donika is an Assistant Professor at St. Bonaventure University, where she teaches creative writing.